The Cure, Songs of a Lost World Review by Seamus Fitzpatrick The Cure’s influence in post-punk, goth, and alternative rock cannot be overstated. For decades, they have defined the dark, emotive sound that shaped generations of listeners. With Songs of a Lost World, the band offers a return to form—stylistically reminiscent of Disintegration and Kiss Me … Read more
Amyl and the Sniffers, Cartoon Darkness Review by Seamus Fitzpatrick Amyl and the Sniffers have always thrived on pure, raw energy. Their third LP, Cartoon Darkness, is a solid blast of frenetic punk that refuses to compromise, delivering infectious chaos that captures punk rock’s unbridled fury and unfiltered fun. This Melbourne four-piece, led by the irrepressible … Read more
The Cold Stares, The Southern Review by Seamus Fitzpatrick On their latest album, The Southern, The Cold Stares boldly venture into uncharted territory by intentionally expanding their sound and delving deep into the complexities of Southern identity. Released by Mascot Records, this seventh studio album marks a significant chapter for the band as they embrace their … Read more
Seether, The Surface Seems So Far Review by Seamus Fitzpatrick Seether’s latest album, The Surface Seems So Far, dropped in September 2024, continuing their reign as one of the most successful hard rock bands on the scene today. With more than 20 years of chart-topping albums, including platinum and gold records, Seether shows no signs of … Read more
Shallow Side, Reflections Review by Seamus Fitzpatrick Shallow Side have consistently evolved since they emerged from Cullman, Alabama, bringing their unique blend of alternative metal to the forefront. Their journey, which began with the 2012 EP Home Today, has seen them release various projects, including cover songs, singles, and a well-received full-length album, Saints & Sinners. … Read more
ONE OK ROCK, Delusion:All Review by Seamus Fitzpatrick Japanese rock band ONE OK ROCK has unveiled their latest single, “Delusion:All,” released on July 12, 2024. This track is the official theme song for the Japanese film Kingdom: Return of the Great General, adding a cinematic layer to the band’s dynamic sound. Known for their ability to … Read more
Andrew McMahon, Death Grip Review by Eliana Fermi Andrew McMahon has built a career on his ability to transform and reinvent himself, a skill clearly displayed in his latest single, “Death Grip.” Over the past two decades, McMahon has journeyed from the pop-punk energy of Something Corporate to the introspective narratives of Jack’s Mannequin and now, … Read more
Kings of Leon, Can We Please Have Fun Review by Seamus Fitzpatrick Kings of Leon, the Tennessee-bred rock band known for their Southern rock roots and arena-worthy anthems, are back with their ninth studio album, Can We Please Have Fun. Released in May 2024, the album title hints at a return to a more carefree sound, … Read more
Jessica Pratt, Here in the Pitch Review Jessica Pratt’s return from a significant hiatus, following her previous work, Quiet Signs, is a moment of anticipation and excitement. Her meticulous, almost painstaking approach to her craft is evident in Here in the Pitch, a culmination of her signature style and a bold venture into new, unexpected territories. … Read more
Pearl Jam, Dark Matter Review Released on April 19, 2024, by Monkeywrench/Republic Records, Dark Matter is a solid project in Pearl Jam’s storied career. This album is the result of the band’s unyielding presence in the rock music scene, blending their established sound with new, dynamic influences. Aimed at long-time fans and newcomers, Dark Matter is a robust entry … Read more