by Eliana Fermi
Victoria Canal’s Slowly, It Dawns is an ambitious debut that artfully navigates the spectrum between effervescent pop and introspective balladry. The record’s production is its most immediately engaging asset, opening with the breezy allure of “June Baby” and escalating into the sultry, Latin-inspired vibes of “California Sober.” These early moments set a high bar, with inventive electronic touches in “Cake” and the standout, ethereal piano arpeggio of “Black Swan” offering moments of undeniable brilliance.
Lyrically, Canal balances vulnerability with a touch of self-deprecation. Her storytelling is rooted in universal themes of love, loss, and self-discovery, though it occasionally slips into the safe confines of conventionality. While her honest, heartfelt approach invites listeners into an intimate space, it sometimes leaves us yearning for a more distinct voice that fully unlocks the narrative of her personal and artistic evolution.
Structurally, the album takes us on a two-act journey. The first half bursts with creative energy and emotional highs, delivering catchy and sonically adventurous songs. The second half, however, settles into a slower, more reflective mode that, despite its lyrical and musical maturity, may feel less dynamic to those seeking a constant pulse of innovation. Nonetheless, this deliberate pacing mirrors the natural progression from the exuberance of youth to the measured introspection of adulthood—a concept that, while not entirely unique, is executed with finesse.
For music fans, Slowly, It Dawns shows Canal’s craftsmanship and potential. It’s a record that promises more than just well-produced pop; it hints at a developing artistic identity poised to evolve in subsequent releases. While not every moment is groundbreaking, the album’s production strengths and candid lyrical passages make it a worthy listen in today’s competitive musical landscape. That’s the short of it!
Connect with Victoria Canal: Website |
