Jeneba Kanneh-Mason’s debut solo album, Fantasie, released on March 7, 2025, via Sony Classical, is a compelling introduction to her musical artistry and curatorial vision. At 22, Kanneh-Mason presents a program rich in emotional depth and stylistic diversity, shaping each piece with a profound connection to its inner workings, crafting an immersive and evocative listening experience.
The album opens with Chopin’s Piano Sonata No. 2 in B-Flat Minor, Op. 35, where Kanneh-Mason navigates the work’s technical demands with maturity to reveal the emotional depth of Chopin’s writing. Her interpretation of the “Marche funèbre” is very enjoyable in that she captures the somber gravitas inherent in the movement.
Transitioning to Chopin’s Nocturnes, Op. 27, Kanneh-Mason brings a nuanced sensitivity to No. 7 in C-Sharp Minor and No. 8 in D-Flat Major. Her ability to use her touch and dynamics allows her to evoke emotions through the delicate phrasing of Chopin’s expressive language.
Kanneh-Mason’s affinity for Florence Price is evident in her rendition of “Fantasie Nègre No. 1 in E Minor.” She captures the piece’s direct emotional appeal, playing the legato qualities of the piece in a manner that will resonate with audiences. Her previous performances of Price’s works, such as at the BBC Proms, have been met with acclaim, highlighting her commitment to bringing Price’s music to a broader audience.
In Margaret Bonds’ “Troubled Water,” based on the spiritual “Wade in the Water,” Kanneh-Mason adeptly weaves syncopations and jazz influences, meeting the composition’s virtuosic demands with ease. Her rhythmic precision and expressive touch bring the piece to life, reflecting her deep connection to the spiritual roots of the music.
William Grant Still’s “Summerland” offers a serene contrast, and Kanneh-Mason’s interpretation draws parallels between Still and Debussy, noting their similar intervallic sound worlds, and her performance captures this atmospheric quality.
The inclusion of Debussy’s Préludes, “La fille aux cheveux de lin” and “Bruyères,” further showcases Kanneh-Mason’s versatility. She evokes delicate dynamics to bring out the harmonic depth of Debussy’s structures.
Kanneh-Mason’s exploration of Alexander Scriabin’s works, including two Op. 11 Preludes and the Piano Sonata No. 2 in G-Sharp Minor, Op. 19 “Sonata Fantasy,” reveals her appreciation for the composer’s harmonic daring and rhythmic freedom. She draws connections between Chopin and Scriabin, highlighting their shared ability to make the piano sing, and her performance reflects this insight.
Fantasie is a debut that reflects Kanneh-Mason’s musical upbringing and influences. Her thoughtful programming and emotive interpretations invite listeners into her world. This album not only reveals her as a distinctive voice in the classical music landscape. That’s the short of it!
Connect with Jeneba Kanneh-Mason: Website |
